Filming “The Quilt Show”

I have been in Colorado Springs area this week to shoot an episode of "The Quilt Show" with Alex Anderson and Ricky Tims. What a thrill to be on set with two quilters whose work I respect so much! “The Quilt Show” is an online TV show that can be viewed through the Internet by subscription. The shows feature fun interviews with all kinds of quilters and fiber artists, as well as lessons and information, and some great free stuff. 

I figured you might enjoy a behind-the-scenes look at my day. Ricky and Alex shoot some episodes on a set with a live studio audience, and some “on location.” On Tuesday, we were in the beautiful home of the very hospitable and kind Dee Dee and Hugh Eaton. Dee Dee is a quilter, and her husband Hugh is famous for having helped to start The Weather Channel. They live in Palmer Lake, just outside of Monument, Colorado (a short drive from Colorado Springs).

Here is the crew getting set up to shoot the interview portion of the show:

Ricky threw his signature hat down on one of my quilts:

C&T Publishing had kindly provided copies of both of my books, Appliqué Petal Party (2009) and Point, Click, Quilt! (coming out in July):

Actually, this is just a mock-up of my book (the cover glued to the front of another C&T title), since my book has not gone to press yet. Here is the producer, Shelly Heesacker (below) holding the mock-up. Shelly produces segments for Oprah, and she was fabulous to work with, and a lot of fun.

Make-up on, quilts up, Ricky and Alex comfortably installed on the sofa in the Eaton’s family room, me squirming in an armchair, cameras rolling! We sat down to review with the crew how the interview portion of the show would run.

The crew was BUSY!

Ricky was pretty serious most of the time, but was always good for a funny comment when we needed to loosen up.

About half way through the interview segment the director yelled “CUT!” Apparently my neck was bright red. Scarlet, in fact. This is something that happens to me a lot when I am excited or nervous. (When I was little, the boys used to have competitions to see who could make me blush the worst. I would turn purple.) So it was off to the powder room for some heavy makeup and powder by Lilo Bowman, the show’s coordinator (and a quilter!):

Okay, back on the set. Doesn't my neck look fabulous?

After that segment was shot, we moved to another room for the how-to parts of the show. Alex told me a funny story while I pressed the step-outs for the segment on creating bias vines that I shot with her:

Step outs are how you show all the different parts of the process you are demonstrating. (On a cooking show, they will show the ingredients, then some of them mixed together, then the batter in the pan, then the pan going into the oven, then the baked cake, then the iced and finished cake. Same concept here.) Lilo and I ran through the step outs together:

Ricky found a piano and of course Shelly and I had to join in:

We even shot a little bit of me singing with Ricky as a lead-in to my segment with Alex. I have not sung much since high school (I starred in a few of my high school musicals), except in the shower, so I hope I sounded all right!

Then it was back to work. Roll cameras!

Alex and Ricky made shooting these how-to segments really fun and easy. Before each one, we set up all the equipment, step-outs, and the things we would use or talk about:

Ricky patiently gave me a little lesson on how to use a high-end Bernina that has some features I was not familiar with because I don't have them on the Bernina I use at home. And yes, I had to free-motion thread sketch standing up!

Here is Ricky with the producer, director and crew watching me thread sketch to see if the camera was capturing everything from the correct angle:

And then we discussed how to shoot it to make it look clearer:

Yes! It looked okay after a few adjustments!

Here’s how we ended up shooting that part:

This is a shot of me holding one of the projects (Nestling) that I demonstrated, which will be available from The Quilt Show as a free project when my show airs. I don’t know yet when that will be, but it will be part of the next season, which starts later this summer and runs through the end of this year, I think! Stay tuned and I’ll tell you the details once I get them.

And here’s a nice surprise! Katie Pasquini Masopust was shooting that afternoon, so I got to see her again. We first met while she was closing up her term as SAQA president, at the Studio Art Quilt Associates conference a few years ago. You can tell from my big smile that I am also really happy to be finished shooting! What a great day!

A free project from Aurifil’s Designer of the Month, Susan Guzman

Susan Guzman’s “Favorite Things” pillow

The Aurifil Designer of the Month for April is Susan Guzman. On the Aurifil blog you can read an interview with her, and download the free project (above) that she designed to show off vintage fabrics. Susan’s style is ecclectic; she designs quilt patterns that are contemporary, traditional, scrappy, applique, and folk art styles!

Susan Guzman

You can find out more about Susan here: 

Website: http://www.SuzGuzDesigns.com
Blog: http://www.suzguzdesigns.blogspot.com

FaceBook: http://www.facebook.com/profile.php?id=1693027833 

Pat Sloan interviewed Susan on her online radio show March 15; you can download it and listen to on your computer here.
 
Remember, if you make the project, load a photo to the Aurifil Flickr group. That puts you in the running to win an Aurifil thread prize. One winner is selected each month. 

GIVEAWAY!
Each month this year, I’m going to be giving away a pack of Aurifil minispools (like the one shown above) when the new project is announced. Just leave me a comment here to tell me what you think of Susan's project. I'll pull a name at random on Sunday, May 1 at noon. The sampler pack includes great colors in different weights. WE HAVE A WINNER: Congratulations to Marcia W. from Florida!

I’m in “The Space Between”

I found out yesterday that my piece, “Hope Is The Thing” (above) has been accepted into the special exhibit “The Space Between” curated by Jamie Fingal and Leslie Tucker Jenison (of Dinner at Eight Artists). I am very honored to have been chosen to be in this group, as it includes many women I know and whose work I admire.  

The exhibit will debut at the International Quilt Festival in Long Beach July 28-31, 2011 and is sponsored by Moore’s Sewing Centers. The plan is to exhibit at International Quilt Festival in Houston also, after securing a sponsor. Here are the artists and works that were chosen:

Natalya Aikens, Steni Mezhda Sosedyami/Walls between Neighbors
Frances Holliday Alford, Pisces
Betty Amador, Symphonic Dances

Astrid Bennett, Anticipation

Loris Bogue, Sedimentary Silk
Deborah Borschert, Fence and Flourish

Paula Chung, Intervals

Joanell Connolly, Life Happens in the Space Between

Cindy Cooksey, Between the Air Conditioner and the House

Barb Forrister, Lost Cavern

Linda Frost, Black & White
Terry Grant, Between Mother and Child

Desiree Habicht, Forest of Blues

Lyric Kinard, Dream 

Susan King, Schooling with the Jellie’s 

Pam Klebaum, Figure and Ground 

Sherry Kleinman, The Family Tree
Susan Brubaker Knapp, Hope is the Thing   

Jane LaFazio, Industrial Aged 

Jayne Larson, Breathing Space
Gwen Mayer, Saber Dancers
Linda T. Minton, The Antechamber
Susie Monday, Reading Between the Lines
Jeannie Moore, The Red Tomato
Rachel Parris, The Sands of Time
Judy Perez, Black and Bloom All Over
Yvonne Porcella, Storybook
Wen Redmond, Trees Singing
Karen Rips, Spinal Study 1
Carolyn Ryan, Pre-Teen-Between
Cynthia St. Charles, Spring Blossoms, aka Yearning for an End to Winter
Julie Schlueter, Knee High to a Grasshopper
Teresa Shippy, Twins
Gayle Simpson, Mind the Gap
Sarah Ann Smith, Clothed in Color
Terry Waldron, Meadow Gold
Laura Cater-Woods, Fault Lines
Kathy York, Blue Towers

Book review and give-away: Inspired By Tradition

I have a wonderful book to give away today to one lucky applique lover! Inspired by Tradition: 50 Appliqué Blocks in 5 Sizes (Martingale/That Patchwork Place, $22.99) is Kay Mackenzie’s latest book.

Kay Mackenzie

In 2009, I reviewed Kay’s last book, Easy Appliqué Blocks, which includes 50 other block designs. After Kay wrote that book, she envisioned a way for quilters to have “a library of designs right at your fingertips whenever you need one block or many!" Her new book continues and expands the library she began in the first book in a wonderful way. 

This time, the blocks are all traditional in style, but are somewhat simplified for the modern quilter. There are vines, berries, birds, baskets and wreaths. Each design is shown in a color photo of the block, and all the designs are included on the CD (more about this later).


But this book has more to offer than just lovely block designs. There are also great instructions for Kay’s two favorite appliqué methods, one one by hand and one by machine.

Coming Up Roses (26" x 26")

The hand method involves back-basting, something I’ve heard about but not tried (yet), so I am looking forward to testing it out. There are instructions for hand stitching all kinds of shapes, including points, notches, curves and circles.

Kay’s machine applique method involves raw-edge machine appliqué using paper-backed fusible web. For both methods, Kay provides excellent instructions that are extremely detailed, with many clear diagrams. 


At the back of the book, Kay included “A Little Gallery of Ideas,” which is a great way to see how you can stitch and combine several blocks to make a small quilt, table runner, wall hanging or banner. Some of these projects are shown here.

Appliquér At Heart (22" x 46")

One of the neatest things about this book is that all 50 of the applique block designs  are included on the CD that comes with the book. It works on Mac, PC or Linux platforms, and it includes all the designs in five different sizes, from 6" to 12". So as long as you have access to a computer and printer, you won’t have to go running to a photocopy shop to make an enlargement. And all the designs are also reversed on the CD, so if you are doing fusible applique or Kay’s back-basting method for hand appliqué, you don’t have to do that step, either!

Cherry Jubilee (three 8" square mini quilts)

I especially enjoyed Kay’s “Appliqué Questions and Answers” section; it includes very valuable information and insights to common appliqué issues. Even though I consider myself to be somewhat of an expert on appliqué – my first book, Appliqué Petal Party (C&T Publishing 2009) was an appliqué pattern– I learned a lot from this book. It just goes to show that no matter what your experience level, you always have new things to learn.

Inspired by Tradition shipped out in early March. So if you want a copy now, ask for it at your favorite quilt shop. It is also available at Amazon and through the publisher, Martingale/That Patchwork Place. And of course, you can order it from Kay’s website and get an autographed copy!

GIVEAWAY DETAILS:

Kay has generously donated a copy of her book for me to give away here! For a chance to win, leave a comment after this post and tell me what you like best about appliqué, and what kind of method you use. OR if you don’t appliqué, tell me why you want this book. I’ll draw one name at random at 9 p.m. EST April 1. Honest. This is NOT an April Fool’s Day joke.

Giveaway is closed... The winner is Robin in Richmond, VA.

If you want to read other reviews of Kay’s book, you can check out other bloggers participating in Kay’s “Book-a-Round” here:

Maria Peagler

Darcy Ashton

Erin Russek

SewCalGal

Holly Mabutas

Kathy Mack

Kim Jamieson-Hirst

Sarah Vanderburgh

Maria Michaels Designs

Win this book tomorrow!

 

Tomorrow I’m giving away a copy of Kay Makenzie's wonderful new book, Inspired by Tradition: 50 Appliqué Blocks in 5 Sizes! Check in to find out how you can win.

Today, there's a chance to win a copy of the book on Maria Hrabovsky’s blog!

Can’t wait and want to find out more about this book now? You can read about it and purchase a copy on Kay’s website. 

Quilt Art 2012 Engagement Calendar

Last spring, after my quilt Pink Petal Party was displayed at the AQS Quilt Show in Paducah, I was contacted by Klaudeen Hansen, who edits the Quilt Art Engagement Calendar. She wanted to know if I’d give permission to include my quilt in the 2012 edition, and of course I said yes. A few days ago, the calendar arrived in my mailbox. 

I’ve purchased this calendar in the past, and it is very nice. Each spread features a beautiful quilt — and all types, including pieced, appliqued, contemporary, traditional, and art quilts— on one page, with the other page to write your appointments and important dates. Here is my spread: 

There are 54 quilts featured this year; I think Klaudeen gave me Valentine’s Day week because my quilt is so pink and sweet! 

The 2012 Quilt Art Engagement Calendar costs $13.95 ($11.16 for AQS members), and is available from the American Quilter’s Society’s website. 

Fall Farm Stand, Part I

I have started to paint the big gray pumpkin in the commission piece I am working on. It is coming along nicely. I am thinking about calling it Fall Farm Stand. Here is that section of the photo, so you can see what I am trying to achieve:

I will probably do a little more blending, and adjust some of the highlights and shadows, before I am finished painting. After that, I will do the rest when I thread sketch. I am planning to do each pumpkin separately, then applique them to the background. This is partly because I want to add some extra batting behind some of the pumpkins to make them come forward. And I want to add bumps to some of the pumpkins with pieces of melted Tyvek. This material is stiff, and I can’t bend a big quilt too much to get it under my home sewing machine to thread sketch. The finished piece will be about 24 x 36".

In case you were wondering, here is my workspace – my kitchen counter island (or peninsula, more properly). That's my microwave at the back, and my oven to the right.

I am showing this because I’ve discovered that a lot of people think I have a big fancy studio, with space for “wet work” like painting and dyeing. 

Nope. 

I do have a studio, which holds my fabric and sewing machine and a cutting table. It is my former guest room, and it is about 14 x 14 feet. And I feel very fortunate to have that space, but it is not big enough to handle a painting surface. So when I paint, it is most often on my kitchen counter, in the middle of the hub-bub of family life and meal preparations. My old laminate countertops in pale yellow (probably installed in the 1970s) hold up very well to acrylic paint, and can be cleaned with SoftScrub. 

I really hate my countertops, but since I can’t afford to replace them right now, and since the laminate works great for my process, they are probably here to stay for a while.

101 Patchwork Projects + Quilts

I have two projects in a new publication by the publishers of Quilting Arts magazine: 101 Patchwork Projects + Quilts. The 196 page magazine ($19.99) will be available in mid-April, and is available for preorder now on the Interweave website.  

The issue features “patchwork projects of every kind, including home décor, accessories, and wearables… from full-sized bed quilts to patchwork scarves, slippers, bulletin boards, and key chains.” I’m intrigued by the table of contents; it looks like there are lots of cool projects, including many that would be fun to make as gifts. 

Bumwad and Poster Brain

Trouble cat says, “Take me with you!”

If you’ve been checking in on my blog every few days, you may have noticed that it’s been mighty quiet around here lately. That’s mostly because I’ve been on the road a lot this month. In the past two weeks, I’ve taught four days and given two lectures, and traveled to nearby Concord, NC, to the Cabarrus Quilters Guild and to the Lake Quilters Guild of Smith Mountain Lake, near Roanoke, VA.

I love speaking and teaching, but I also need time in my studio to work and think and create. Today I got a little. I am starting to work on a commission piece, and this time, I am experimenting with tweaking my preparation process.

When basing a piece on one of my photos, I often start by tracing an 8x10" printout. I add things, take things out, or move things around while I trace. Then I scan in this traced drawing, enlarge it and print it out in “tiles” (or sections), and use this printout as my pattern. If the piece will be done using fused applique, it becomes the pattern for the fabric pieces. If the piece will be wholecloth painted, I place it under fabric and trace the lines.

This time, instead of using an 8x10" photo, I had my photo enlarged to a 2 x36" poster through PosterBrain. It cost me $19 plus shipping, arrived very quickly, and the quality was fantastic, just like a giant photographic print. Here it is, spread out on my cutting table:

A student at one of my workshops suggested a type of tracing paper I’d never heard of before called Bumwad. Sounds like toilet paper, right? ;-) It is actually a type of tracing paper used by architects, and it comes in big, wide rolls, up to 24" and 36" wide. Bumwad is available through ArtSuppliesOnline. I paid $16.23 (plus shipping) for a 24" x 50 yard roll. 

I placed a piece of Bumwad (fighting the giggles now, each time I write that) on top of the photo and taped it down.

Then I started tracing the main lines in the photo. (You can see the photo I printed out on my laser printer next to the pen.) My first impression is that the Bumwad is a tad heavier than traditional tracing paper, which has its pros and cons for my process. It does not tear as easily (pro), but it is also harder to see through (con). I could put it on top of a light box, but because the poster is on paper that is nice and heavy, I doubt that the light box would help me see any better. I do find that I am able to see better when I flip on the lower setting of my overhead desk light, rather than the brightest setting.

I am reserving judgment on whether I like these materials or the changes to my process, but I’ll let you know as I work more on this project. I am thinking about using some melted Tyvek pieces on the bumpiest of the pumpkins in this piece.

Second edition of inStitches features my friend Faith!

My friend Faith Cleary is featured in the second edition of Quilting Arts’ new e-magazine called in Stitches! That’s her in the photo with the dog (above), wearing those cute flower headbands.

Here is a preview:

InStitches_Vol2

You can find out more, and purchase the download by clicking here. 

Faith is also featured in the spring issue of Studios magazine, the one with Ty Pennington on the cover. She shares how to manage pet messes and decorate with your pet in mind.

Here are some more photos of Faith’s work for clients of her company, Dolce Amico. She takes photos of pets that are provided by her clients, like this: 

and makes them into fabulous thread-painted portraits like this (that can be stitched onto tote bags, purses, pet carriers, stockings, apparel and more):

Here’s another example of a client photo:

and Faith’s finished product:

Faith’s French Bulldog, Barkley, is featured on the front cover of a photo album:

Faith captured two labs named Daisy and Scooter in this piece, which was matted and framed:

I think Faith’s work is amazing. And she is such a warm and wonderful person.

Stay tuned! You’ll be seeing a lot more of Faith’s wonderful work in other Quilting Arts ventures this year!