“First Snow”

“First Snow” (2013) by Susan Brubaker Knapp

I completed “First Snow” in late March, but was not able to share it with you until now, because the exhibition curators – Leslie Tucker Jenison and Jamie Fingal of Dinner At Eight Artists – wanted to keep the theme and pieces a secret until the exhibition was decided  and announced. I love the theme of this exhibition. Leslie and Jamie explained it this way:

Consider the following: 
The unfurling of a flower. 
A hummingbird in flight.  
A magical moment shared with a lover or friend. 
The birth of a child. A personal milestone.  
The realization of a dream.  
A treasured memory.  
The sacred moments of the ordinary.  
These are the Exquisite Moments that make us who we are.

I’m lucky; I’ve have had a lot of Exquisite Moments in my life. It was hard to choose. But I’ve been wanting to make a piece that was about snow, and about my kids. We don’t get very much snow here in North Carolina (compared to my childhood in Pittsburgh, Pennsylvania). I remembered all the times I played with my girls in the snow, and especially about the very first snows of the season, which are even more magical than the others. I went back and found these photos of them trying to catch snowflakes on their tongues. I think this was about 2003 or 2004:

Working from these photos, I changed the positions of the bodies so that they fit better in the very tight vertical format (24" x 60") needed for the exhibition. I used my fusible applique method (described in my book, Point, Click, Quilt! Turn Your Photos into Fabulous Fabric Art) but fused everything down to stabilizer (Pellon 910 interfacing). I also changed the colors and simplified the jackets so that they were bright, solid colors:

 

 

Pencil marks on the faces (above and below) give me guidelines when I paint.

I painted the faces with acrylic paint (my favorite, ProFab Transparent Textile Paint by ProChemical & Dye), then cut out the figures. I worried a bit that the blush on their cheeks was too strong, but it really was that red in the photographs. They had been out in the cold, windy air for a while. 

Then I thread sketched the figures, adding details.

With the bodies completed, it was time to position them on the background. I had planned to use this darker blue fabric for the background, because the snowflakes would really show up on it. But it turned out to be too dark and vibrant a hue. It didn’t look anything like a sky, especially a daytime, cloudy winter sky capable of producing snowflakes. And because the value was as strong as the red of the jacket, the figures didn’t stand out as much as I wanted.

 

I found a lighter, grayer blue background I liked better, then tested the position of the snowflakes by placing the snowflake sketches on top of the piece. My goal was to get a nice smooth swirl from the top left into the area near Julia’s mouth.

Once I had the snowflakes where I liked them, I put them behind the background fabric and traced them with a white chalk pencil, then put some stabilizer behind them and thread sketched the snowflakes. I used Aurifil Cotton Mako 50, a perfect weight to get these fine details. Of course, my cat Wicked had to take a nap on the piece when I left it to grab lunch one day. It wouldn’t be my work without a little cat hair on it!

After I had completed all the thread sketching on the snowflakes, I decided that they weren't standing out enough against the background. This is something I had worried about when I decided to use the lighter background. So I went back and added some metallic white/silver paint in some spots on them. 

The piece was coming together, but the swirl of snowflakes still wasn't standing out enough.

Lea’s jeans were also a problem. See how they completely blend in to the fabric in the lower right corner? I’d used the same blue fabric as the background when I was planning to use the darker fabric for the background.

I added lots of little dots of paint around the snowflakes. I thought it needed them to better define the swirl, and add a bit of sparkle and magic to the snow. I also darkened Lea’s jeans:

 

Now it was time to quilt! I layered the quilt top with backing and a batting I’ve never used before, Dream Wool by Quilters Dream Batting. I like using wool batting for large pieces I have to ship to exhibitions, because wool has more of a “memory” and bounces back after it has been folded better than cotton. I was very pleased with it, and found that it gave this piece a little more texture than some of my pieces I’ve done with cotton batting (request and select loft) by Quilters Dream.

Detail from “First Snow” (2013)  by Susan Brubaker Knapp

Detail from “First Snow” (2013)  by Susan Brubaker Knapp

The 33-piece exhibition “An Exquisite Moment” will be displayed at International Quilt Festival – Long Beach (Aug. 1-4; sponsored by Moore’s Sewing Centers) and International Quilt Festival – Houston (Oct. 31- Nov 3; sponsored by Havel’s Scissors).

Artists:
Frances Holliday Alford; A Moment of Passion
Sue Bleiweiss; The Hummingbird
Deborah Boschert; Glimpse
Paula Chung; Ancient Jupiter
Gerrie Congdon; XXOO
Cindy Cooksey; Grocery Shopping with Sammy
Diane Doran; California Dreaming
Jamie Fingal
Sheila Frampton-Cooper; Ode to Lavandula
Diane Hock; Serenity
Stacy Hurt; Lift
Leslie Tucker Jenison
Lyric Kinard; Bach Suite
Susan King; The Visitor
Pamela Klebaum; Stitching, Interrupted
Sherry Kleinman; Waiting Expectantly
Susan Brubaker Knapp; First Snow
Jane LaFazio; Havana
Susie Monday; One, All One
Jeannie P. Moore; The Ring
Jayne Larson; Rainbow:  A Moment of Reflection
Rachel Parris:  Ordinary Day (pictured above)
Judy Coates Perez; Fear of Flying
Yvonne Porcella; The Power of Yellow
Wen Redmond; Birds Eye View
Karen Rips; Fiji
Carolyn Ryan; Shattered
Cheryl Sleboda; Geschwindigkeit (Speed)
Sarah Ann Smith; Listen to the Song in the Night
Virginia Spiegel; Golden World
Cynthia St. Charles; Winter Walk II
Terry Waldron; Water Dance
Kathy York; Balance

Platypi, Koala and Kangaroo: Oh my! Visit to the Healsville Sanctuary

Yesterday, I visited Healsville Sanctuary, which is about 45 minutes drive north and east of Melbourne (many thanks to Cecile Whatman and her husband for taking me!). Also along on this trip were fellow artist Judy Coates Perez and Alison Green, a New Zealander who lived in Charlotte for a time; I met her through the Charlotte Quilters' Guild and it has been great meeting up with her here.

Note: to see photos better, please click on each for a larger/clearer view.


The Sanctuary is very involved with fighting the extinction of several of Australia's native animals. Unfortunately, it was raining, and my good camera with the long lens refused to work properly -- aaaaagh! -- but I tried to make the best of the photo situation and used my pocket camera most of the time.

Wallaby:


Lush, tropical foliage made me feel a bit like I had stepped onto the set of a dinosaur movie.


I stuffed my purse and two cameras under my coat and smiled in the rain:


The animal hospital:


These spent blooms looked like corn cobs; I think this is a type of bottle brush:



NOTE: Upon further research, I think this is a type of Banksia. They are part of a family of flowering plants found in the Southern Hemisphere, which is why I had never seen them before. The family is called Proteaceae, and include Proteas (which I saw in profusion in South Africa last summer), Banksias, Grevilleas, and Waratahs. There are about 1600 species of Proteaceae, including one variety that produces Macademia nuts!

Not sure what this beauty is; perhaps one of my Aussie friends can identify it.


Next, it was on to the main attraction (for me, at least! My daughter loves platypi, and I was keen to get some photos for her). This huge sculpture marks the entrance to the platypus area:



This is the best shot I got of the platypus. It was a thrill to see one and watch it frolic, much like our river otter:


A sleepy koala huddled against the rain:


My friend Alison feeding the birds:


And one perching on Judy Coates Perez's camera!


Beautiful bark:



An artistic bathroom:


Lizard:




Tasmanian Devil:








River with platypus ironwork:


Enormous gum trees:



Emu:



Entrance to the sanctuary:


Wallaby:



Kangaroo (a think they are red kangaroo, despite the fact that some of them look more gray than red):


Sleeping Tasmanian Devil:



Flying Fox bats:


Today I spent in Melbourne; I'll post those photos when I get home. I fly out tomorrow morning, and arrive in LA about the same time, having taken a 15 hour flight, and passing through 14 time zones! I have so loved my time in this beautiful country full of friendly, fun-loving people. I hope to come back again!

Australasian Quilt Convention, bits and pieces

Here are some tidbits from the last few days at Australasian Quilt Convention. today I teach my fourth and final day of class. Then i'm off for some sightseeing in the area for a few days. I'll organize and share a lot more about the Convention when I get home.

Below is a shot of one of my classrooms. Brother provided the machines, and support during the day. They were fabulous! Lots of natural light in the Royal Exhibition Center, but no heat, as the building was built in the 19th Century. A bit chilly in the morning, as it is autumn in the Southern Hemisphere!





Judy Coates Perez has a little booth, where she demonstrated techniques. She was absolutely mobbed all day!


The floor was crowded with enthusiastic viewers and shoppers.


Brenda Gael Smith, with the amazing Twelve by Twelve exhibition (more on this later):


Me, with Brenda Gael Smith, at the Gala Dinner on Saturday night.


Friday's class with their thread sketched apples:



Upstairs is set up with classrooms, and tea/lunch space for students and teachers.


Looking down toward the quilt exhibitions: