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"Sugar Junkie" |
This is another piece in the series I’m doing called “Short and Sweet” – short phrases on my painted/stenciled fabric backgrounds. They are so fun!
Have a phrase you’d like? I do commissions!
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"Sugar Junkie" |
Have a phrase you’d like? I do commissions!
“Nobody’s Free” (copyright Susan Brubaker Knapp 2025) 18” x 11” |
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“Sugar Maple
2” |
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“Sugar Maple 1” |
“Our House”
Copyright Susan Brubaker Knapp 2025
17” x 25”
White fabric, acrylic textile paint, interfacing, cotton batting, cotton backing. Painted, stenciled, free-motion machine quilted.
These words are from the song “Our House” on Crosby, Stills, Nash & Young’s 1970 album, Déjà Vu.
Just finished this piece, “Kintsugi,” last night.
Kintsugi (金継ぎ), or kintsukuroi (金繕い), is a Japanese method of repairing cracks or broken pieces of pottery. After the repair, the crack is lacquered, then dusted with powdered gold, silver or platinum. The idea is that the imperfections can also be beautiful, and that cracks are not flaws.
I pieced “Kintsugi” with cotton fabrics —
dyed, painted, marbled and stenciled — and then used cotton thread, perle cotton,
sequins, and beads to embellish it. Free-motion
machine quilted, hand embroidered.
The fabrics in those three appliquéd circles are by Melissa DeLisio. She's on Instagram @lostmymarblesfabric.
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| “Kintsugi” (detail) |
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| “Kintsugi” (detail) |
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| “Kintsugi” (detail) |
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| “Kintsugi” (detail) |
| “Moon Moths” – 41x56" Copyright Susan Brubaker Knapp 2023 |
“Moon Moths” features four spectacular moths: Luna (green moth at the top, Io moth on the right, Madagascan moon moth on the bottom, and Emperor moth on the left). They encircle the moon and the moon phases. It is a wholecloth painted piece.
It was purchased before I could exhibit it, and perhaps that is why I forgot to post about it!
I’m just back from Denver, where we shot the latest series of “Quilting Arts TV.” I shot three segments for this series, which will come out this fall.
I have been the host of Quilting Arts TV since 2014. I was also a guest on the show several times (Series 500 in 2009; Series 700 in 2010; Series 1300 in 2014) while Pokey Bolton, the founding editor of Quilting Arts magazine, was host.
QATV is shown on more than 400 PBS stations across the U.S., as well as Create TV, and showcases the work of expert art quilters who explain and teach innovative surface design, construction, embellishment, and hand and machine stitching techniques. Novice and professional art quilters alike can learn something new from the wide variety of topics explored on the show.
We have some fabulous guests in Series 3200!
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| David M. Taylor |
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| Diana Fox |
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| Kestrel Michaud |
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| Mel Beach |
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| Pat Bishop |
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| Sarah Spencer |
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| Sondrasa |
Several artists who shot last year have segments in Series 3200 as well (this is the series where I caught Covid just before the shoot, so Brandy and Vivika Hansen DeNegre stepped up as co-hosts):
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| Vivika with Kimberley Pierce Cartwright |
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| Brandy with Shannon Conley |
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| Cindy Lohbeck with Vivika Hansen DeNegre |
There’s more information about QATV on my website here: https://susanbrubakerknapp.com/quilting-arts-tv
“Red Rocks” (Copyright Susan Brubaker Knapp 2025).
Cotton fabric, cotton thread, cotton batting, interfacing, ink. Fusible appliqué, free motion machine quilted.
“Asilomar Sunset” (Copyright Susan Brubaker Knapp 2025)
Cotton fabric, fusible adhesive, ink, cotton batting, interfacing, cotton thread. Fusible appliqué, free-motion machine quilted.
“Blue Mountain Lake, 1968” (Copyright Susan Brubaker Knapp 2025) 11” x 9”
Cotton fabric, interfacing, cotton batting, cotton thread, ink, acrylic textile paint. Fusible appliqué, free-motion thread sketched and quilted.
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| Marsh View Copyright Susan Brubaker Knapp 2025 11" x 9.5" |
This piece is based on a photo I took last summer from one of my favorite vantage points to view the marsh on Bald Head Island. It’s the dock at the Creek Access on North Bald Head Wynd, just east of Old Baldy lighthouse.
I love this view best in summertime, because the blues and greens really make my soul sing. It’s also very peaceful. Last winter, when there was no one around, we saw a river otter there.
I’m doing a series of small landscapes right now, in preparation for shooting a segment for Quilting Arts TV in a few months.
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| “Mascara” Copyright Susan Brubaker Knapp 2025 9"x9" |
This is my daughter Julia’s eye. I created this piece for a segment on Quilting Arts TV several years ago, and just quilted it today. White cotton fabric, acrylic textile paint, cotton batting, interfacing,
cotton thread. Wholecloth painted, free-motion machine quilted.
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| “American Robin” Copyright Susan Brubaker Knapp 2025 23.5" x 33.5" |
I have loved robins since I was a child, and have made several pieces featuring them and their nests. The background fabric for this piece is one I made in a class with Pat Pauly – screen printing with thickened dyes.
Hand-dyed cotton fabric and commercially printed fabric, glue, paint, ink, cotton thread, fusible adhesive, interfacing, cotton batting. 3-D elements made from cotton thread on water-soluble stabilizer.
Fusible and raw-edge appliqué, free-motion quilted.
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| “Zinnias On Parade” Copyright 2025 by Susan Brubaker Knapp 14" x 24" |

“In the Pink”
Copyright 2025 by Susan Brubaker Knapp
11.5" square
I made “Zinnias On Parade” for a class sample, and made the simpler, smaller “In the Pink” to demonstrate the techniques to students. Something bright and breezy in these troubled times.
Cotton fabric, cotton batting, interfacing, cotton thread, cotton backing fabric. Raw-edge applique, free-motion quilted.
“Varigated Poinsettia” © Susan Brubaker Knapp 2025. 17 x 23” White cotton fabric, acrylic textile paint, cotton batting, interfacing, cotton backing fabric. Wholecloth painted, free-motion quilted.
This one is based on a photo I took at a nursery at the Ivy Corner Garden Center, near Charlottesville, Virginia, in December. They had the most spectacular poinsettias. I’ve never been particularly fond of poinsettias, but they had some varigated varieties that were really amazing.
This piece is based on a photo I took many summers ago on a family vacation to Bald Head Island.
The brick structure is called “the oil house.”Here is information about it from the Old Baldy Foundation’s website:
“The federal government built the oil house to store kerosene when lighthouse fuel changed from the noncombustible whale oil to the highly explosive kerosene. The exact date of when this structure was built is unknown. Our educated guess is that it was built after 1879, as at that time, funds were allocated to the United States Lighthouse Service to build oil houses. When Old Baldy was deactivated in 1935, the Coast Guard repurposed this structure as a radio house in WWII. This was the last time this structure has an official use, except when they were repurposed in the 1970s as a restroom for lighthouse visitors.”
The lighthouse, built in 1817, is nicknamed “Old Baldy.” It has 108 stairs, and the base is 36 feet wide. The top is 14 feet wide. It is constructed of brick and painted with plaster on the exterior; maintenance over the years has given it a patchy look. The “lantern room,” the structure at the very top that once held the light, is offset from the center of the tower.
My first piece of 2025. I threw myself into this one last week to help deal with my distress over the state of my country. Painting is always an escape for me, and the heavy quilting on the gray siding behind the flowers was very repetitive and meditative. This piece is based on a photo I took several years ago, while teaching in the Pacific Northwest.
“Fuchsia” (© Susan Brubaker Knapp 2025) 16.25 x 21". White cotton fabric, acrylic textile paint, interfacing, cotton batting, cotton thread. Wholecloth painted, free-motion machine quilted.
Have questions? There's lots of info on my technique and materials here:
https://wwwbluemoonriver.blogspot.com/2014/01/faqs-wholecloth-painting.html
