In mid-March, we shot “Quilting Arts TV” Series 1800 at KS Productions in Solon, Ohio. It will start airing on about 400 public television stations across the U.S. in July. This is the fifth series I’ve hosted, and we had some fabulous guests. Here’s a sneak peek. (Note that some of these segments will be held until Series 1900, so you’ll have to wait a bit longer to see them.)
Susan Carlson brought along Stevie, the life-sized salt-water crocodile. This piece measures 22 feet long, and it was quite amazing to have on set.
Esterita Austin shared tips for making portrait quilts; on transferring original imagery onto organza using acrylic and Lumiere metallic paints; and on using sheer colored organzas to create still lifes and landscapes.
Melissa Averinos teaches how to make a yo-yo fabric brooch; a small piece of abstract wall art; and a hand-painted panel with fabric medium and Inktense color blocks.
Quilting Arts magazine editor Vivika DeNegre joined me to talk about how to block a quilt so that it lies – or hangs – nice and flat.
Wendy Butler Berns shot three segments: picture image machine appliqué; random pieced borders; and using Texture Magic. Here, she’s getting set up on the Bernina with the help of Andrea Goddard of Bernina:
Here are some shots of the set and the equipment:
Jane Davila shot segments on SolarFast sun printing with masks and printing with photographic negative designs on transparencies; on block printing; and on Citrasolv image transfers.
Grace Errea’s segments are on explaining value, and the 8-value scale she uses; on her “heat-set” machine applique technique; and on randomly pieced backgrounds.
Victoria Findlay Wolfe shot two segments: on how to cut precise pieces with a Sizzix machine, then Y-seam piecing on the Hex Flower; and how to beautifully piece free form curves.
Here is the Green Room, where guests get their segments organized and wait until it is their turn on set:
Rennae Haddidin used an Innova longarm machine in her two segments on creating a beautiful quilted drawstring bag; and on applying a binding to a quilt on the longarm.
Joanne Sharpe demonstrates coloring book-style lettering quilts; quilts made from tone-on-tone white printed fabrics painted and colored with Inktense, Caran d'Ache, and Dye-na-Flow; and quilts painted and then free-motion quilted and embellished.
Here I am with our fabulous make-up artist, Karen, who makes us all look great!
Vivika and assistant editor Kristine Lundblad having a bit of fun on set:
Nancy Wick taught how to thread paint and embellish on an Innova longarm quilting machine while creating a sculptured fabric poppy bowl; and how to make a scarf from fibers such as thread, ribbon, or roving.
Cathy Vandiford Wiggins shot three segments on quilting leather, including how to use quilted leather panels in sewing projects such as vests, jackets, journal covers and bags; creating scraps of hides for wall art; and how to stabilize a larger piece of leather for quilting.
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