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Wednesday, July 19, 2017

Behind the scenes of QATV Series 2000

Here’s a look at the talent at the shoot (in Cleveland in March) for Quilting Arts Series 2000. It’s aired on about 400 U.S. Public Television stations, but if it’s not shown in your area, you can also purchase it now on DVD and digital download

Pepper Cory







Sherry Kleinman







Lisa Walton







Jenny Lyon



 


Cathie Hoover




Martha Wolfe









Enid Gelten Weichselbaum









 Laurie Russman



Malka Dubrawsky






Timna Tarr






Sarah Ann Smith










Behind the scenes

Vivika Hansen DeNegre, Quilting Arts magazine editor, and me with a cake to celebrate the show’s tenth anniversary. It was started by Pokey Bolton, founder of Quilting Arts magazine, and producer Kathie Stull of KS Productions. 
Early morning view from my car, coming into the studio. I’m the first one into makeup at 7:30 a.m.

One of the cameras on set.


Kristine Lundblad, associate editor of Quilting Arts, helps carry Cathie Hoover’s jacket to the set.
Bernina sponsors the show, and provides us with all the state-of-the-art machines we have on set. 
Jeanne Delpit of Bernina USA gets a machine ready on set. (She’s from Florida, and yes, she’s so cold that she’s wearing a scarf and fingerless gloves!)
Lisa Walton headed into dinner, in a blizzard. She’s from Australia, and doesn’t see much snow, so she had to get this photo to prove the conditions in Cleveland to her friends back home.


Crew hanging one of Lisa Walton’s quilts.

Timna Tarr gets wired for her microphone. 

Sarah Ann Smith gets her paint ready.

 I made the rosettes to decorate the set and celebrate the tenth anniversary.


“Threads of Resistance” featured in American Craft


“American Craft” magazine included information about “Threads of Resistance,” and a photo of my work, "Poisonous Words," in an interview by Betsy Greer with Fuller Craft Museum's chief curator, Beth McLaughlin, in its August/September issue. 


I’m a subscriber, fan and avid reader of this magazine, so I’m pretty buzzed to find my work printed on its pages. Here’s a shot of my piece; you can read more about it in this previous post.


“Threads” will be exhibited at the Fuller at the same time as an exhibit of pussyhats and related craft called “Revolution in the Making,” a look at the role of craft and art in the protest against the Trump administration's actions and policies. 
“Threads” runs at the Fuller December 9, 2017 - February 18, 2018, and “Revolution” opens on the anniversary of the Women's March, Jan. 21, 2018. You can find the full exhibition schedule for “Threads” on the website, www.threadsofresistance.org

Monday, July 17, 2017

Quilting Arts TV Series 2000 is out!


Series 2000 of Quilting Arts TV is out! Guests include Leni Weiner, Sarah Ann Smith, Laurie Russman, Cathie Hoover, Lisa Walton, Martha Wolfe, Enid Gjelten Weichselbaum, Pepper Cory, Timna Tarr, Ann Loveless, Sherry Kleinman, Teresa Shippy, Malka Dubrawsky, and Jenny Lyon. 
Quilting Arts TV is shown on about 400 U.S. Public Television stations. If your local station doesn’t carry it, you can purchase DVDs or a video download of the entire series for $39.99 on the Quilting Daily website

Here’s a look at the series:
2001 – Celebrate the Artist Within
Celebrate the 10th anniversary of Quilting Arts. Host Susan Brubaker Knapp presents a retrospective featuring the artists, past and present, who express and advance the quilting arts. Collage artist Leni Wiener creates quilted portraits with applique. Sarah Ann Smith and Susan Brubaker Knapp share their paths to becoming professional quilt artists.

2002 – Feline Fever 
Find inspiration close to home in cat companions. Fiber artist Laurie Russman celebrates her furry friends through intricate pet portraits. Quilt designer Cathie Hoover uses double-reverse applique to create a small quilt inspired by an ancient cave drawing. 

2003 – Celebrating Sheers
Sheer fabrics open up new design opportunities. Textile artist Lisa Walton paints, cuts and folds sheer organza to make origami designs. Printmaker Martha Wolfe celebrates the time-honored Korean art of pojagi with printed and painted organza she sews with flat-felled seams. 

2004 – Culture in Cloth
Transferring art images from one medium to another expresses old cultures in new ways. Art quilter Enid Gjelten Weichselbaum translates ancient Norse sagas into story quilts. Quiltmaker Pepper Cory celebrates Far East culture with patchwork and sashiko to create wrapping cloths called furoshiki. 

2005 – A Sense of Place
Celebrate perspective and places. Art historian and quilter Timna Tarr takes a bird’s eye view and uses today’s technology to illustrate the world in quilts. Textile artist Ann Loveless celebrates the seashore by combining fabrics, fibers and free motion techniques into a small art quilt. 

2006 – Tech Tricks
Combine traditional art forms, creative energy and today’s technology for more creative opportunities. Art quilter Sherry Kleinman uses photos and apps on her electronic tablet to create new quilting fabric. Quilter Laurie Russman uses a variety of apps to transform her favorite photos into colorful fiber art with pens, ink and free-motion stitching. 

2007 – Pieces and Parts
Deconstruct the image, then reconstruct it into new art. Textile artist Malka Dubrawsky combines scraps in a new way as she considers shapes and colors in her quilts. Art quilter Sarah Ann Smith shares her techniques for achieving crisp corners, hanging sleeves and a professional finish for her art. 

2008 – Handmade Gifts
Gifts made by hand celebrate love and friendship. Teacher and author Pepper Cory creates useful gifts in the Japanese tradition of zakka. Mixed media artist Teresa Shippy embellishes and sews a colorful journal cover for a favorite writer or artist. Textile artist Cathie Hoover creates a needle cushion any quilter will use and treasure. 

2009 – Print It! 
Celebrate your creativity by printing your own fabric. Printmaker Martha Wolfe paints and prints on silk with or without the power of the sun. Textile artist Lisa Walton designs her own stamps. After stamping onto fabric, she paints and quilts a wall hanging. 

2010 – Color and Value
Good design starts with simple concepts. Quiltmaker Timna Tarr uses the fundamental concepts of color and value with reverse applique to turn everyday things, like eggs, into art. Malka Dubrawsky uses solid fabrics and thoughtful design to create ombre effects on a quilt. 

2011 – Cut It Out! 
Creative use of negative space adds impact to art and quilts. Quilter and maker of wearable art, Jenny Lyon channels her garment background to create a high-fashion cutwork scarf. Fiber artist Lisa Walton makes an original art quilt using fused fabrics and free-hand cutting techniques. 

2012 – Transformations with Paint
Transform the simple surface with paint. Fiber artist Sherry Kleinman brushes vibrant hues onto simple canvas and stitches it into an artistic wall hanging. World traveler and quilter Sarah Ann Smith uses paints and thermofax screens to enhance her fused and collaged art quilts. 

2013 – Freedom to Stitch
Break loose. Celebrate artistic freedom with stitches. Artist and quilter Enid Gjelten Weichselbaum finds inspiration in architecture and floral images as she creates little works of art. Jenny Lyon starts out in free motion to create quilted bubbles, then breaks loose with lots more ways to sew circles. 

Thursday, July 6, 2017

Nikau

“Nikau”
Copyright 2017 by Susan Brubaker Knapp

This is “Nikau.” It is 28-1/2" x 26". Commercial and hand-dyed cotton fabrics, cotton batting, cotton backing fabric; machine pieced and machine stitched. 

I started this piece in 2010 in a class taught by Cynthia Corbin at the Charlotte North Carolina Quilt Symposium. Cynthia Corbin is a wonderful teacher, and I adore her work, but honestly, I don’t know why I took this class. It was a real struggle for me to work in such an abstract way. (Maybe that’s why I took it, thinking back. I do try to push myself out of my comfort zone sometimes.) 

It was a design/composition class, and we started with a photo as inspiration. I started with a photo of the trunk of a Nikau palm (it’s the blue and purple vertical element in this piece). The Nikau palm is the only palm native to New Zealand, and it has a beautiful striped trunk. 

As I remember, my composition looked nothing like this when I finished class. The background pieces were big and blocky, and only yellow – all shades of yellow. I was unhappy with it, and set it aside. For a long time. This winter, I got it out and started completely over, working with tiny pieces, adding more color, and working improvisationally. I’m much happier with it now. I love how the background sparkles, and I love how I was able to use many special fabrics that I had hand dyed. The black and white bits in the trunk are a hand-stitched Shibori fabric I made about 12 years ago.




Thursday, June 29, 2017

“Purple Girl”

“Purple Girl”
Copyright 2017 by Susan Brubaker Knapp


I’m thrilled to announce that my latest work, “Purple Girl,” has been juried into the next Dinner @ Eight Artists’ exhibition, “Personal Iconography: Graffiti on Cloth.” The show will debut at International Quilt Festival in Houston this fall.

The call for entries included these prompts:

  • An artistic expression based on personal style
  • An underlying social message
  • A story that is told through lines, shapes and imagery
  • A graphic landscape that conveys a story
  • A mark, an object, an idea
It is 40" square, and is made from white fabric, acrylic textile paint, wool batting, cotton thread, and cotton backing fabric. Wholecloth painted and free-motion machine quilted.  

Artist’s Statement: The purple girl I love is creative and complex: she composes music, creates her own alphabet and language, and writes novels. She sees sounds in color, and is an expert in monotremes. She dreams of swimming as a mermaid. 


This piece is about my eldest daughter. The things in this piece represent her primary passions: language (English words and Arithian, the language/alphabet she created), music,  water and the creatures in it, monotremes (the platypus) – and her dream of swimming like a mermaid (the mermaids’ purses in the lower left). And the purple? It’s her favorite color.

Note: “Mermaid’s purses” are skate egg sacks, sometimes found washed up on the beach. You can read more about them here: http://www.sanibelseaschool.org/experience-blog/2014/5/23/what-comes-out-of-those-mermaids-purses


The thirty pieces in the exhibition are listed on the Dinner @ Eight Artists’ blog.


Friday, June 23, 2017

“We All Swim Together” Update


Here’s the latest on “We All Swim Together,” the big piece I've been working on – off and on, but mostly off – since 2013! My goal with this wholecloth quilt is to educate viewers about the dangers to fish species around the world. Marine biologists believe we we could feed the world and end starvation if we only managed our oceans, lakes and streams properly. Many fish are endangered due to overfishing, pollution, environment degradation, and climate change. I also want to show the beauty and amazing diversity of fish species. 

Right now, the fish fill a space about 80" wide and 60" high. This art quilt will probably be about 90" square when I finish. In the past week or so, I’ve drawn about 10 more fish, and painted these:


Orange Roughy
Honeycomb Stingray (with Indian Scad below)
Piper Gurnard

Flat Needlefish


Arctic Char

The photos below show more of the whole quilt, and give you an idea of the size. (Cat shown for scale). 





If you have questions about my wholecloth painting process, please visit my blog post here: http://wwwbluemoonriver.blogspot.com/2014/01/faqs-wholecloth-painting.html

If you want to see previous posts about this piece, and see my progress, click here: 
http://wwwbluemoonriver.blogspot.com/search?q=We+All+Swim+Together

I also have a DVD on my process. It's called “Dynamic Quilt Design: Paint Meets Stitch.” You can purchase it here: http://www.bluemoonriver.com/shop.html

Saturday, May 13, 2017

Wicked’s Eye

“Wicked’s Eye”
whole cloth painting by Susan Brubaker Knapp


My cat, Wicked, is famous! I used her eye as the focus of this article in the latest issue of “Quilting Arts” magazine. I explain how to paint a realistic cat eye on fabric, step by step. The issue is available on newsstands now, or online here.  


Monday, May 8, 2017

“Poisonous Words”

“Poisonous Words”
by Susan Brubaker Knapp, copyright 2017 (34.5" x 23.5")
Wholecloth painted, free-motion quilted. White cotton fabric, acrylic textile paint and ink, wool batting, cotton thread, commercial cotton fabric (backing)


“Poisonous Words” is my entry for the “Threads of Resistance” exhibition, which will premiere at the New England Quilt Museum July 11, 2017, and then travel to 11 other venues, including museums and quilt shows. I am one of ten artists organizing this exhibition. 

It is based on a sketch I made during the campaign, and features a painted and thread sketched portrait of Donald Trump with a copperhead snake going in his ear and out his mouth. He is surrounded by a cloud of his own poisonous words. 


I hated making this quilt. I hated it that I felt I had to make it. Working on this piece – seeing these words and hearing Trump’s voice saying them — made me physically nauseated.


“When someone shows you who they are,
believe them the first time.” 
– Maya Angelou


I was greatly disturbed by things Donald Trump said during the presidential campaign, and by the words he used. It was amazing how many women I know who were horrified to hear people using the word “pussy” or talking about pussyhats, but who brushed off Trump’s “grab ’em by the pussy” comment as “boys will be boys” or “locker room talk.” So much of what came out of his mouth were racist, misogynistic and xenophobic insults. 

For our democracy to succeed, and for us to solve vital problems our country faces, we must be able to discuss important issues with civility and respect, to listen to others’ views without insulting, even if we completely disagree. Finding common ground – even a small patch of it – is impossible without this. If these kinds of comments are considered acceptable for our president to say and tweet, then they become acceptable for others. They are a poison that infects us all. 


I believe that the rise in hate crimes, as documented by the Southern Poverty Law Center and other organizations, is a direct result. Words have power. Words often lead to actions. The poison is spreading. 




All of the words in this piece are those of Donald Trump:


Nov. 13, 2015, campaign speech in Fort Dodge, Iowa: Trump said he wouldn’t reveal his secret plan to destroy ISIS, but “I would bomb the shit out of them. I’d just bomb those suckers. I’d blow up the pipes, I’d blow up the refineries, I’d blow up every single inch — there would be nothing left.”


July 13, 2016, on Twitter: “Justice Ginsburg of the U.S. Supreme Court has embarrassed all by making very dumb political statements about me. Her mind is shot - resign!”


Trump called Alicia Machado, Miss Universe 1996 “Miss Piggy,” because she gained weight after the competition. He also called her “Miss Housekeeper,” and “Miss Housekeeping,” apparently because she is Latina. “She was like an eating machine,” Trump told Howard Stern in a radio interview in February 1997.


Presidential announcement speech, June 16, 2015: “When Mexico sends its people, they’re not sending their best. They’re not sending you. They’re not sending you. They’re sending people that have lots of problems, and they’re bringing those problems with us. They’re bringing drugs. They’re bringing crime. They’re rapists. And some, I assume, are good people.”


In 2005, Donald Trump made the following comments in an interview with Billy Bush for the TV show Access Hollywood: “I just start kissing them. It’s like a magnet. Just kiss. I don’t even wait. And when you’re a star, they let you do it. You can do anything…. Grab ’em by the pussy. You can do anything. …I moved on her and I failed, I'll admit it," Trump can be heard saying in the video. “I did try and fuck her. She was married.”



In 2011, attorney Elizabeth Beck told CNN that she was representing clients who were trying to get their condominium deposits back from Trump after a failed real estate venture in 2011. She said that she had been taking a deposition from Trump when she asked for a break to pump breast milk. “He got up, his face got red, he shook his finger at me and he screamed, ‘You're disgusting, you’re disgusting,’ and he ran out of there.”
Feb. 11, 2016, at a rally in New Hampshire, Donald Trump told voters to reject local companies who move business overseas: “You can tell them to go fuck themselves.” (He mouthed the word, but didn’t say it out loud.) 
Oct. 19, 2016, at the final presidential debate, Donald Trump said Hillary Clinton was “such a nasty woman” while she was answering a question about how she would raise taxes on the rich to tackle debt and entitlements if she were to become president.
August 2016: After a presidential debate moderated by Fox News Channel anchor Megyn Kelly, Trump said she “blood coming out of her eyes, blood coming out of her wherever.”
Dec. 7, 2015, statement on Muslim immigration: “Donald J. Trump is calling for a total and complete shutdown of Muslims entering the United States until our country’s representatives can figure out what is going on.” 
After Vanity Fair editor Graydon Carter said Trump had short, stubby fingers in the 1980s, Trump has repeatedly responded, sending him photos of his hands. In a 2011 New York Post article he said, “'My fingers are long and beautiful, as, it has been well documented, are various other parts of my body.”





Premiere dates: July 11 - September 9, 2017
New England Quilt Museum
18 Shattuck Street, Lowell, MA 01852
    Opening reception: July 15, 2017 at 11 a.m. 
Santa Clara, CA

November 9-11, 2017  
Original Sewing & Quilt Expo
Minneapolis, MN  


December 9, 2017 - February 18, 2018
Fuller Craft Museum
Brockton, MA

Reception: Jan. 21 

March 8-10, 2018  

March 15-17, 2018  
Original Sewing & Quilt Expo
Lakeland, FL

April 5-7, 2018  
Original Sewing & Quilt Expo
Cleveland, OH  

June 4-9, 2018  
Original Sewing & Quilt Expo
Arlington, VA

July 18-20, 2018  
Original Sewing & Quilt Expo
Raleigh, NC


August 3-24, 2018
Experience Fiber Art

The Wilder Building
Rochester, NY
Oaks, PA

October 4-6, 2018  
Original Sewing & Quilt Expo
Fredericksburg, VA

Friday, April 28, 2017

hopscotch



“Satellite”
by Susan Brubaker Knapp, copyright 2017 (18x18")

This new little piece is made entirely with Jamie Fingal’s charming new fabric line, “hopscotch” by RJR Fabrics. The line features 83 different playful fabrics, mostly tone-on-tone blenders based on Jamie’s sketchbook drawings of flowers, loop-de-loops, geometrics, and dots. 


There is a rainbow of colors in this line, and I wanted to use as many of them as I could, so I created a design to accommodate them. I created the satellite on the background using hand needleturn appliqué, then free-motion machine quilted the piece. I pieced together more of the fabrics for the rainbow binding, and added Perle cotton hand-stitched lines around the circles to look like signals coming out from the satellite. 

The line will debut at Spring Quilt Market in St. Louis in mid-May, and the fabric will ship to stores in August. 





#rjrfabrics
#quiltwithlove
#hopscotchjamiefingal

hop, skip, jump blog hop
4-24 Jamie Fingal https://jamiefingaldesigns.blogspot.com/
4-25 Cindy Cooksey https://cookseyville.blogspot.com/
4-26 Sue Bleiweiss  https://suebleiweiss.blog/
4-27 Lyric Kinard  https://lyrickinard.blogspot.com/ 
4-28 Susan Brubaker Knapp  https://wwwbluemoonriver.blogspot.com/
5-1 Leslie Tucker Jenison https://leslietuckerjenison.blogspot.com/
5-2 Deborah Boschert https://deborahsjournal.blogspot.com/
5-3 Libby Williamson https://libbywilliamsondesigns.blogspot.com/

Thursday, April 13, 2017

Registration is open for "Tyvek Explorations"


You can register now for my first online class! 
“Tyvek Explorations” begins June 7. 
The course is designed to introduce you to Tyvek, a versatile crafting material. When melted, Tyvek creates interesting effects that can add wonderful texture to fiber art. Through a mixture of written step-by-step instructions (available to print out as PDFs, so that you can save them for future reference), slideshows and videos, you'll learn the basics of working with Tyvek. By participating in online discussions, you can communicate with me and your fellow students, share photos of your work and ask questions. 

The class will include six lessons - one each week over six weeks - covering:
  • information about different kinds of Tyvek
  • safety precautions for melting Tyvek
  • melting with an iron and heat gun
  • creating beads
  • making pins and embellishments
  • stitching through Tyvek before and after melting
  • manipulating Tyvek before melting to achieve special effects
  • creating a "November Leaves" art quilt
  • making Tyvek bracelets and a cuff
  • creating a "Cairn" art quilt with melted Tyvek embellishments

On May 31, 2017, the introductions section of class will open, and you'll have time to explore and get comfortable with the Ruzuku platform, and introduce yourself to the other students in the class. The first lesson opens June 7, and the last lesson opens July 12. The class will remain open for three weeks after class, so that you can finish up, get your last-minute questions answered, and print out the course content for future use. 
The price for the six-week class is $75, and you can register and pay at the Ruzuku site. 
You can download the supply list before you sign up.
Here's a look at some of the photos and activities we will be doing in class: