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Monday, April 8, 2013

Swimming along…


The start of “We All Swim Together”
I had meant to trace some more fish onto my fabric before I started painting, but I just couldn’t stand it, and this afternoon, I gave in and started painting. I love to paint. It is so relaxing, and I just forget all my troubles and get lost in it. I’m using my favorite textile paint, ProFab Transparent and ProBrite Pearlescent paints by ProChemical & Dye

This is the Blackbelly Rosefish:



Yes, it really is this brightly colored! You can see photographs of it on Google Images. He is about 15" long on my piece.

Blackbelly Rosefish
Latin Name: Helicolenus dactylopterus
Habitat: Eastern Atlantic Ocean from Norway to South Africa, and the Mediterranean Sea; and Western Atlantic Ocean from Nova Scotia to Venezuela.
Depth: 330 to 1600 feet
16-18" and 2-3 pounds
Notes: This is a type of scorpionfish. Color is variable. Spines contain toxic venom.

I am just getting started on the Painted Comber:





Sunday, April 7, 2013

Getting started on “We All Swim Together”

Spotted Weever, by Susan Brubaker Knapp
I am very excited! I am finally getting started on a piece that has been in my head for several years. I’m planning to call it “We All Swim Together.” It will include fish from all over the world, both fresh-water and salt-water, and it is going to be a bigger piece than I’ve worked on for some time. I hope it will raise awareness about the amazing diversity of fish, and the issues affecting the world’s fish, particularly water quality. This is an issue I explored previously in “Running Deep,” which features Bear Lake Cutthroat Trout:


“Running Deep,” 17" x 22" (2008) by Susan Brubaker Knapp

Here are a few more fish that will be on “We All Swim Together.” I’m planning to sketch more — probably a lot more! — on my flight to teach in Australia next week.
Streaked Spinefoot, by Susan Brubaker Knapp
Narrow-barred Spanish Mackerel, by Susan Brubaker Knapp
For a while now, I’ve been sketching fish from specimen photos, and tonight, I enlarged some of the black ink drawings here and printed them out in sections, then taped them together:

 

Then I traced them onto a large piece of white fabric:



Three fish down, a bunch more to go before I can start painting!

Friday, April 5, 2013

Join me in Texas, June 3-6, with Quilting Adventures

Deep Woods Retreat 

I’m teaching this summer at an amazing retreat center in Texas with Quilting Adventures. There are still spots available, so please come and join me! This is a great way to get an in-depth experience with wholecloth painting and thread sketching. 

Here are the details:

Quilting Adventures Summer Retreat 
Monday, June 3 – Thursday, June 6, 2013
at Deep Woods Retreat in Smithville Texas
Intermediate to advanced skill level
$595 per student includes quad-occupancy accommodations

 
Part 1: Paint & Stitch
Learn the basics of painting on fabric using my peacock feather design, then stitch the details with black thread – this design was featured on the cover of “Quilting Arts” magazine in 2010. We will cover transferring a design onto your background fabric, basic techniques of painting on fabric with acrylics, thread sketching your piece with black thread to bring your design to life, and quilting considerations.


Part 2: Wholecloth Painting
Next, students will select a botanical or still-life subject and learn the basics of creating wholecloth painted quilts from a photo, including: selecting the right photo for great results, which paints and fabrics to use and why, painting and blending techniques and quilting considerations.


Part 3: Thread Sketching Snowflakes
Finally, you will learn to gain control and improve accuracy in your free-motion thread sketching using my gorgeous, realistic looking snowflakes.  You’ll learn how to stabilize your piece to prevent draw-up, improve control while you’re stitching,  and how to regulate your stitches for perfect tension.

Here are some photos of the retreat center:

Deep Woods Retreat


 kitchen




 Deep Woods Workroom

I’m in “Machine Quilting Unlimited”


Exciting news! My work will be featured in the May/June 2013 issue of Machine Quilting Unlimited. This issue features work by Ruth Powers, Helen Goddard, Charlotte Warr Anderson, and Barbara Hollinger, among others. My work is included in their “In the Studio” feature. It will be available in late April at select independent quilt shops, Barnes & Noble and Jo-Ann’s Fabric & Craft Stores nationwide.

Machine Quilting Unlimited is a fabulous magazine with in-depth articles on machine quilting techniques. If you haven’t seen or read it before, you are in for a treat! 

They have a special deal going between now and April 10: if you live in the U.S. or Canada and subscribe or renew a one-year print subscription, you get a 20% discount on the subscription price. (That’s a 42% savings over the subscription price.) The promotion code is SPRINGBREAK.

Friday, March 29, 2013

Projects in new Interweave publications

Some of my designs are featured in three new “Craft Tree” publications by Interweave. Each book is a compilation of projects from the pages of Quilting Arts, Quilting Arts Gifts, and Cloth Paper Scissors magazines. They retail for $14.99 each, and can be purchased on the Interweave Store online. 
 Notebook Covers includes my business card case:



 
Evening Bags includes my three Classic Evening Bag designs:

 




Fun Home Accessories includes my door organizer:


 


Thursday, March 28, 2013

Sketching water for The Sketchbook Challenge

Water lily ink drawing by Susan Brubaker Knapp
This month’s theme on The Sketchbook Challenge was “natural surfaces,”and I decided to try sketching water. The drawing above is about 7.5" x 10", and is based on this photo I took several years ago:
 
I did this drawing in a small sketchbook I take with me when I travel to teach, and worked on it over the past month. I printed out photographs of things I wanted to sketch, and took them with me so that I could work from them on the go. 
I used crosshatching (lines drawn in at different directions) to get at the ripples in the water, and the changes in value. But I don’t think I captured it. I definitely don’t have the darkest values in yet. 

It is helpful to look at the drawing next to the photograph and examine the differences in value. I am also considering adding color to the ink drawing, and using dark shades of color to increase the values where they are needed in the drawing.

One of the tricks with ink drawings is to use different drawing/shading techniques on things that have different textures. The water was rippled; the flower was velvety. To add shading on the flower, I used dots, which look softer than the crosshatching does on the water.
 

Here’s a detail shot of the leaves and the stems, which were underwater. It was tricky to make the stems look like they were underwater, and add just enough shadows. 

 
By the way, if you’ve been wondering why you haven’t seen more fiber art and art quilts here, you’ll be glad to know that I am working on some (and I’ve been teaching  a lot!). It’s just that I’ve been working on a few things that I’m not allowed to show you yet! One is for an exhibition, and one is for a magazine article in the works. Stay tuned!

 

Friday, March 15, 2013

“Kick Off Your Heels” fundraiser

 

I just completed a pair of art shoes I am submitting for the Kick Off Your Heels fundraiser. It is a juried invitational with the goal of raising $5,000 for The Barbra Streisand Women’s Heart Center at Cedars-Sinai Hospital in Los Angeles, California. They they not only treat women, but also educate and do major research on heart disease with women, exclusively. 

Did you know that more U. S. women die each year from heart disease than from all cancers combined? Organizers Jamie Fingal and Sue Bleiweiss didn’t either. After watching a segment on Katie Couric’s new talk show about this subject, they decided to put together a project to help raise awareness of heart disease in women. The link to the segment is here. All of the heels that are juried in to this fundraiser will be sold in May 2013. They are designed to be works of art, not wearable shoes. As we get closer, I’ll keep you posted on how you can help by buying a pair of shoes.

Here’s how I made my shoes:

I started with blue pumps purchased for $2 at a local thrift shop, sanded them lightly with sandpaper, and painted them with gesso. The shoe in the front is the original color, and the shoe in the back is painted with gesso:


I painted them sky blue with brown tree branches:


I bought the nest, eggs, silk dogwood blooms and the bird at local craft stores, and auditioned them:


The birds did not resemble any I’d ever seen in nature, so I trimmed their feathers and repainted them to look like chickadees, my favorite bird. Then I glued wads of paper inside the shoes, and glued or pinned in the moss, lichens, nest, eggs, birds and dogwood blosssoms. Here they are, all done!

 



Alex and Ricky celebrate International Quilt Day


Me, on the set with Alex and Ricky, to shoot an episode The Quilt Show in 2011.
International Quilt Day is Saturday! To help celebrate, and as a featured artist on a past episode of The Quilt Show, I wanted to let you know about a gift that Alex and Ricky have put together for quilters around the world.  

Beginning today – Friday, March 15 through Sunday, March 17 – everyone who signs on to The Quilt Show will have free access to over 120 of their internet shows, including my episode, #901. You can watch the shows, check out the great tutorials, browse the gallery of over 19,900 member quilts, visit the forum for answers to the most burning quilt questions and lots, lots more. And if you missed my show, you can see it now.

You can also enter the TQS prize drawing with fantastic prizes from companies like Bernina, Gammill, Superior Threads, AccuQuilt, C&T Publishing, RJR Fabric. Ricky and Alex will have gift baskets to give away, too. The grand prize is a new Bernina 550QE sewing machine!

Sunday, March 3, 2013

Charlotte Quilt Show this weekend!


The Charlotte Quilters’ Guild’s 2013 Quilt Show, Through the Garden Gate, is this Friday and Saturday. If you live in the area, don't miss it. There will be more than 250 quilts there! 

I’ll miss it (snif!) since I’ll be teaching in Virginia this weekend.) But four of my quilts will be there.

Here’s a coupon for $1 off admission:



The Charlotte Quilters’ Guild Quilt Show and Vendor Mall
March 8 & 9, 2013
Hours: 9-5 p.m. 
Metrolina Tradeshow Expo
7100 Statesville Road – Charlotte, NC 28269
Easy access from I-77 and I-85. Free parking.
Admission: $6
More information: www.charlottequiltersguild.org

Monday, February 25, 2013

Teaching at Hudson River Valley Fiber Art Workshops


Here’s another catch-up post! In mid-December, I taught at Hudson River Valley Fiber Art Workshops at Kim and Mark LaPolla’s inn, the Greenville Arms 1889 Inn in upstate New York. It was a fabulous experience in a beautiful location.

 

Because the workshop was held so close to Christmas, only four students signed up (boo!) but they were great students, and did wonderful work. Two had come all the way from Israel to take classes here. Here they are (from left:) Alison, Nili, Dalia, and Kim:


This workshop was five days long, which meant that I had time to guide students in working on original pieces based on their own photos. Usually, in one-day classes, all the students do the same thing, based on one of my projects, so this was really fun to teach. 

The studio/classroom is very large and bright, and is located in this building across the creek from the main inn building: 

 

Here’s the studio from the back:


We started with wholecloth painting. I taught students my basic technique, including how to create a pattern from their photo, and how to mix and blend colors. Once the pieces were painted, we thread-sketched and quilted them. Kim did two small pieces, one of fiddlehead ferns, and the other of a sheep:





Nili worked from a photograph of shells:


 

Dalia worked from a colorful still-life of citrus fruit she had shot, but changed the background to a vibrant purple that really set off the fruit:




Alison’s subject was orchids:




I also covered my fusible appliqué technique. Students brought enlarged photos and created patterns from them, then cut out all the pieces and fused them down. Alison worked on a photo of a beautiful garden structure and statue reflected in water. Notice how the colors are in the same family for the structure and its reflection, but are darker for the section reflected in the water:

 

Dalia’s subject was her husband’s stethoscope. She did a great job of capturing the metallic highlights and shading on the rubber tubing, using paint on top of her fabric pieces:


Kim did her dog (the photo was shot looking straight down on the dog); I love the diagonal lines in this piece, and the way the green on the bricks really make it pop. The brown print fabric with the beige and red spots is a fun choice for the dog’s face:


Nili worked from the same photo of the shells that she used for her painted piece. It was interesting to see how different they looked. For her fusible appliqué, she used non-realistic colors, so the emphasis was on the shell forms:


Half the fun of taking classes here is getting to stay in the charming old inn, and eat Chef Mark’s wonderful meals:

 

Chef Mark enjoys a bite of dinner with us:


The proud students with their work at the end of the week:





The group on our last night together. (That’s Kim’s spectacular work in the background.)


I loved this window art at the Albany airport!



Many thanks to Kim and Mark – and Alison, Nili and Dalia — for making this such a fulfilling and memorable week. If you get a chance to take a class at Hudson River Valley Art Workshops, I highly recommend it!