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Thursday, September 6, 2007

“Harbinger’s Hope” wins honorable mention at PNQE


I just found out that “Harbinger’s Hope” won an honorable mention in the “Innovative” category at Pennsylvania National Quilt Extravaganza XIV!!! I'm really pleased, since this is the first national show I've entered, and I really didn't expect to win anything.

PNQE is a Mancuso show held Sept. 6-9, 2007 in Harrisburg, Pa. Mary Schwarzenberger, a new quilting friend I met online, took a bunch of photos at the show and sent me the one above. Thanks, Mary!

Tuesday, August 28, 2007

More Tyvek


Here’s a small piece (about 5 inches square) I made today using some of the small pieces of melted Tyvek I created over the weekend. It is amazing how easy it is to sew through with the machine. I sewed cautiously through the parts where it had melted more heavily, but did not have any problems at all. I had fun “drawing” around the bubbles. Just love the metallic sheen that the Lumiere paints give the Tyvek pieces.

Sunday, August 26, 2007

Fabric beads


I made these beads today. I took strips of my hand-dyed fabric, coated one side with Aileen's glue, then wrapped them around small segments of plastic drinking straw. Then I wrapped them with 28-guage colored copper wire strung with seed beads. After that, I painted them with a bit of Lumiere for some extra sparkle.

Saturday, August 25, 2007

Adventures with Tyvek

Today I went outside in the sweltering heat with my iron and played with Tyvek. I started with a used USPS priority mailer made of Tyvek. I cut small pieces, painted them on one side with Lumiere and let them dry (see the second photo). Then I placed them between layers of my Teflon pressing sheet and ironed them (at medium to high heat), pressing very lightly. I did this OUTSIDE (the fumes are noxious) with a steady breeze for ventilation.

The result is a very lightweight, somewhat flexible, durable piece. They shrink by about 1/3 to 1/2. The bubbles form away from the heat source, so you can choose to have concave bubbles or convex ones on the painted side, depending on which side is down when you iron. If you press hard, you get a flatter, thinner finished piece; mine reminded me of gold leaf. The size of the bubbles seems to depend on how hot the iron is, how long you iron, and how hard you press down. If you iron longer, you get interesting holes.

This afternoon, I sewed a few pieces down to a fabric background, and embellished them with beads and hand-dyed perle cotton to make a little pin (last photo). My friend Grace Howes brought this beautiful fabric and perle cotton back from England for me!







Tuesday, August 21, 2007

Experiments

One of my goals for this year is to try using some new materials and techniques that I can use in my art quilts. For this small experimental piece, I used a rubber stamp of a woman’s face and Fabrico Craft Ink to make the squares. I liked the way some imprints were very strong, and other seemed to be fading away. I sewed them down and frayed them around the edges. They looked too white against the background, so I blotted them with some diluted fabric paint and immediately ironed it dry. This created some interesting splotching, which you can see best on the middle face. Then I took some of the threads that came off my hand-dyed fabrics after washing and drying them, and couched them down with a free-motion quilting stitch.

Tuesday, August 7, 2007

A new purse


This a purse I finished today. I used some of my own hand-dyed fabrics and some purchased from others. It is about 15" high, big enough to lug around all my stuff (I usually carry a fairly large purse) and it has lots of interior pockets and a loop to hold my cell phone case inside the purse and within easy reach by the third ring. That is a sea-polished oyster shell on the flap (it covers the spot where I sewed on velcro to hold the flap shut). I used one of those wonderful acrylic bases, “Bag-E-Bottoms” by Lazy Girl Designs, in the bottom to make it stand up.

Sunday, August 5, 2007

Asheville Quilt Show

My friend Grace Howes and I just returned from the Asheville Quilt Show, and I am completely exhausted! It took us four hours to get from Mooresville to Asheville, normally a two-hour trip. Apparently a tractor trailer heading east on I-40, the primary road through the mountains, crashed and spilled its entire lot of lemons and limes all over the interstate. So the interstate was completely closed for most of the day. We had to go on smaller back country roads, over some gravel roads, and up and down big mountains with harrowing hairpin curves, to get to the show. Good thing Grace and I like to talk. We had a lot of time to catch up.

When we finally got there, we had only 50 minutes to see the whole thing. We talked to lots of people who had the same travel experience, some who actually got to see and smell the lemons, and dreamed of lemonade to quench their thirst after sitting in the 90 degree heat without air conditioning (to avoid car overheating). We ran through the show, willy-nilly, trying to take as many photos as possible so we could look at the quilts more later. It was crazy.

The show was very nice, with a lot of quilts from outside the area, from all over the country, even. Several I had seen before at Houston at the International Quilt Festival, and in magazines. The show was held at the North Carolina Arboretum, which is very lovely. It is on my list for a return visit for sure.

“Harbinger’s Hope” took a third place ribbon in the “Other Techniques" category, which included many of the art quilts! I was very pleased to have won this ribbon, especially after seeing the caliber of work of the competition. Definitely a show I will go back to see next year, but with more time to examine and admire, I hope.

The return trip (by a different route, because the interstate was still closed) took three hours. Arrrrgh!

Monday, July 30, 2007

“The Bluest Eye” featured in Quilting Arts magazine


My quilt, “The Bluest Eye,” is featured in the August/September 2007 issue of Quilting Arts magazine! It was named as one of five “Judges’ choice” entries in the 2008 Quilting Arts Calendar Competition. The magazine will be available at larger newsstands and at Barnes & Noble bookstores nationwide on August 7.


To make this quilt, I started by creating the image (below) in PhotoShop, merging photos of my blue-eyed daughter's eye with that of her African-American classmate.

Saturday, July 28, 2007

Bald Head Island


I just returned from Bald Head Island, at the southern tip of North Carolina. This island is blessedly slim on commercial buildings, and development is tightly controlled. The emphasis is on preserving nature, on the beaches (a prime nesting spot for Loggerhead sea turtles), the marsh and the maritime forest.

As always, I found many intriguing textures and color juxtapositions. I have always thought that I am drawn mostly to color, but I am starting to think that it is textures that interest me more. Perhaps it is rich colors combined with texture that I like best. Am I ignoring other design basics (line, movement, shape) that I need to work on?

I also think that taking photos makes me a better artist. Looking through the camera lens teaches me how to see better, makes me pay more attention to composition.








Wednesday, July 18, 2007

Pondering copyright issues

I have been reading all the recent postings about copyright issues to the QuiltArt Yahoo group with interest. Many members hate the idea of someone taking a photo of their quilt and showing it to someone else, without using their name, or putting it on a blog or website without their consent. Others worry that someone might take their quilt and put it on a coffee mug. Others worry (and rightfully so, in my mind) that someone might steal their design and use it to make money. Paula Nadelstern's designs were used, in clear copyright violation, on carpeting in the Houston Hilton Hotel connected to the same convention center where the International Quilt Festival is held each fall. Everyone draws the line (between acceptable and unacceptable to them) in a different place.

Makes me think about my own feelings about where I would draw my line.

Personally, it does not bother me at all when people take photos of my quilts at quilt shows and take them home to share with fellow quilters or members of their guild, or even to post them on a website without specific details like my name and the name of the quilt, as long as they are not taking credit for my work or trying to recreate it. Heck, I don't even have a problem with them putting it on a coffee mug as long as it was for personal use. I'm honored that they like my work and want to tell other people about it.

There are a lot of people who never go to a big quilt show (or even a little one) and if they see photos of art quilts and think "wow, that's cool!" then art quilts have won another victory. More exposure, more understanding, more people figuring out that what we do is art, more demand for it, and maybe more money for quilt artists.

I know there may be people who take photos for the purpose of copying my work. And if an occasional person takes the trouble to do this, then I say, "Go at it!" I can't control the universe, and I can't control the ethics of people who think this is okay. I am reminded that it used to be that art students sat in art museums and galleries and learned how to paint from copying the masters. (Maybe they still do; I did not go to art school.)

If they sold my image, or put it on merchandise and sold the merchandise, THEN I'd have a problem.

I am a big fan of the Dave Matthews Band, and they were one of the first bands to actually encourage fans at their shows to record the music, make copies of it on CD, and give it (FOR FREE) to their friends. As a result, they got a lot more exposure, and a LOT more fans. Those fans went out and bought studio albums. Lots of them. Then they bought tickets to concerts. Lots of them.

Result? The Dave Matthews Band is now one of the most popular bands in the world, and they are NOT hurting for money. The are among the top grossing acts of the last decade. They would gross even more, but they don't charge as much for live performance tickets as many other big acts. If people try to sell the concert CDs rather than give them for free, the fans go rabid and report them. So it is self policing. The band does not have to pursue copyright issues because the fans do it for them.

If you take this example and apply it to quilts, I wonder if we should all be giving away photos of our quilts, and not worrying too much about these copyright issues. The world has changed... the digital revolution makes everything different now, and I think we have to learn how to turn these changes to our advantage instead of getting bent out of shape over them.

Tuesday, July 10, 2007

How to make a quilt sleeve

Nearly all quilt shows require a 4" hanging sleeve for quilts exhibited. This 4" size accommodates most hanging rods or slats used at shows. Lake Norman Quilters will have its first quilt show November 2-3, and there are some quilters in our group who have never exhibited a show before who have asked about how to make a sleeve to hang their quilts. So here are some basic directions for the process I use. For a copy of these directions in a PDF format that can be printed and distributed, click here.

1. Measure the top edge of your quilt, where the sleeve will go, about 1/2" from the top. My quilt measures 13". See photo below.



2. Cut a strip that is 9" wide and the width of your quilt plus 1" (for my quilt, this is a rectangle 9" x 14").

3. Fold in the short ends 1/2" and press. Fold in again 1/2" and press. See photo below.



4. Sew a seam along these short ends. See photo below.



5. Fold the strip in half with the wrong sides together, and press. Note that by using this method, you do not have to turn the tube inside out after you sew it together. If you have a wide quilt, and a long sleeve tube, it can be difficult to turn it right side out. This way, you don't have to, because the seam is hidden between the sleeve and the quilt backing.

6. Along the raw edge, stitch the long edge together with a 1/2" seam. See photo below.



7. Press the seam open, center it, and press. See photo below.



8. Along one of the long edges, fold down and press about 1/4". See photo below. This allows for a little slack so the quilt will hang better on a rod or slat. Without this slack on the back, you may have a buldge on the front of the quilt where the hanging rod goes through. You can see this slack more clearly on the side view photo below.





9. Pin the sleeve to the back of the quilt, about 1/2" from the top. See photo below. Take care to place the sleeve low enough that it will not show from the front once the rod is inside and the weight of the quilt pulls the sleeve up toward the top of the quilt. This is even more of an issue if the quilt is uneven at the top, as mine is, rather than straight.



10. Hand-stitch the sleeve to the quilt. See photo below. Go around all four edges, even the short sides. Your stitches should only go through the backing and the batting. You should not see them on the front of the quilt.



11. To display your quilt at home, place a dowel rod, metal cafe curtain rod, or a strip of lath (wood slat) through the sleeve. Nail nails or place screws into your wall, and prop the rod on top.

Monday, July 2, 2007

What art is really for

I am feeling the need to create some art quilts that convey my opinions on weightier issues. “The Bluest Eye” does this (racism, and my belief that we are all the same on the inside), and so does “Harbinger's Hope” (desecration of trees, destruction of nature to suit mans' whims). (There are photos of these quilts in previous postings.) I'm very opinionated, so I'm sure I won't run out of issues to make quilts about! :) I also think that there should be more to art than pretty pictures. Of course, I have nothing against pretty. Pretty art of pretty things (flowers, children, landscapes) shows our adoration of our world and all creation. And that is a good thing.

But I also think it is a mistake to ignore the world's problems in my art. What kind of art about the war in Iraq would move people today the way Pablo Picasso's “Guernica” did about the horrors of the civil war in Spain in 1937?

“Shouldn't art just stick to what it does best, the delivery of pleasure, and forget about being a paintbrush warrior? Or is it, when the bombs are dropping, that we find out what art is really for?”
– Simon Schama, scholar and writer,
on the PBS Series Simon Schama's Power of Art

Saturday, June 30, 2007

Lea’s flowerpot


My daughter Lea made this flowerpot at Campology Science Camp this past week. She is a very talented budding artist. I just love how she did the eyes. And, boy, does grass ever grow quickly, especially when watered regularly. Something my husband, who mows the yard, probably already realized.

Great quotes

The ultimate weakness of violence is that it is a descending spiral begetting the very thing it seeks to destroy. Instead of diminishing evil, it multiplies it. Through violence you may murder the liar, but you cannot murder the lie, nor establish the truth. Through violence you murder the hater, but you do not murder hate. In fact, violence merely increases hate. Returning violence for violence multiplies violence, adding deeper darkness to a night already devoid of stars. Darkness cannot drive out darkness; only light can do that. Hate cannot drive out hate; only love can do that.
– Martin Luther King, Jr.

Be the change you wish to see in the world.
– Gandhi

In a time of universal deceit, telling the truth is a revolutionary act.
– George Orwell

We can do no great things – only small things with great love.
– Mother Teresa

There is only one thing more painful than learning from experience, and that is not learning from experience.
– Archibald McLeish

Be patient toward all that is unsolved in your heart and try to love the questions themselves… do not…seek the answers, which cannot be given you because you would not be able to live them. And the point is to live everything. Live the questions now. Perhaps you will… gradually, without noticing it, live along some distant day into the answer.
– Rainer Maria Rilke

Simplicity, simplicity, simplicity! I say, let your affairs be as two or three, and not a hundred or a thousand, instead of a million count half a dozen, and keep your accounts on your thumbnail.
– Henry David Thoreau

Try? There is no try. There is only do or do not do. – Yoda

Far better it is to dare mighty things, to win glorious triumphs, even though checkered by failure, than to rank with those poor spirits who neither enjoy much nor suffer much, because they live in the grey twilight that knows not victory nor defeat.
– Theodore Roosevelt

All of us want to do well. But if we do not do good, too, then doing well will never be enough.”
– Anna Quindlen

There are only two ways to live your life. One is as though nothing is a miracle. The other is as though everything is a miracle.
– Albert Einstein

Whoever degrades another degrades me/And whatever is done or said returns at last to me.
– Walt Whitman

Courage is the price that life exacts for granting peace. The soul that knows it not, knows no release from little things; knows not the livid loneliness of fear, Nor mountain heights where bitter joy can hear the sound of wings.
– Amelia Earhart Putnam

“Love is the whole, and more than all.”
– e.e.cummings

Appliqué Academy graduates


Today was the last meeting in a six-month needleturn appliqué class called Appliqué Academy that I've been teaching at the Quilters Loft Company in Mooresville.

Six students came to this meeting to show off their marvelous work and get their highly coveted Certificates of Completion. It was fun to see how different - and wonderful! - their quilts looked in their individual fabric and color choices. Most of these students had never done needleturn appliqué before, and by the end of a few classes, they were turning out absolutely beautiful work. We used a pattern in Piece O' Cake's latest book on needleturn appliqué, The New Appliqué Sampler: Learn to Appliqué the Piece O’ Cake Way, which I highly recommend. It has great photos to walk you through every step. A few students had not finished their samplers, but brought in other projects to share. This was a wonderful, friendly group to teach. Thanks, everyone, for making it so fun!





Old silk quilt tops


A friend, Meg Kimmel, just gave me these quilt tops. The first is made entirely of silk neckties pieced by hand and then beautifully embroidered on the top.
The second is a crazy quilt that looks like it was done early in the 1900s (there are two dates, 1900 and 1901 sewn onto it) and then had additional, more modern, fabrics sewn on top to cover deteriorating fabrics. It is sewn onto a muslin foundation. I love the silk necktie one, but many of its fabrics are deteriorating as well. Meg thinks they were made by her father's grandmother. They were found in an old trunk when handling the estate after her parents died. I am not sure what I am going to do with these, but they sure are neat. Ideas, anyone?

Friday, June 29, 2007

SAQA conference challenge



Before the Studio Art Quilt Associates (SAQA) conference last month, participants were asked to bring with them "studio droppings," snippets of fabric, threads, embellishments and other detritus from a recent project. They were to be sealed in a small plastic bag with two copies of your business card. At the conference, they were swapped and redistributed. We were to go home and create a small piece using these materials. My bag came from Mary Stardt, whom I do not know. Inside were embellishments, cottons, rayons and silks. SILK! This was one fabric I had wanted to try working with, but had been afraid to try. This was the perfect opportunity.

"Pauses Between the Notes" (13" x 16") is the result. All the fabrics at the center of this piece (the hot pinks and royal blues) come from Mary. I added additional silks around the center. A quote by Austrian composer and pianist Arthur Schnabel (1882-1951), included in Mary's bag, provides the name of the piece, and the theme I had in mind when I created it:

"The notes I handle no better than many pianists. But the pauses between the notes — ah, that is where the art resides!"

Although I was skeptical about participating in this challenge, I'm glad that I did. Not only did I lose my fear of working with silk, I also discovered that working with materials I do not preselect and carefully choose can boost my creativity and push me into a more improvisational zone. I can't wait to see what someone else did with my bag of scraps!

Wednesday, June 27, 2007

Grace’s sunflowers


My friend Grace Howes made this little quilt from one of my designs and it turned out beautifully! I just love the colors she chose, and the border setting. This is one of 16 flower blocks I have designed for a new quilt I am doing entirely in shades of pink and green. I expect to have the patterns for the whole quilt available by early next year. You can see more of what Grace is up to at her blog, www.barnyardchatter.blogspot.com.

Melinda Schwakhofer

I spent this morning with a new friend, fiber artist Melinda Schwakhofer, who is visiting the Mooresville area this summer. Melinda is an American currently living in England. She is very generous with her time, her ideas and her knowledge. Melinda aims to provide an "inspiraculum," a word she coined which means "a place to breathe, dream, explore, be inspired, find your self."

This is Melinda with a recent work. You can see more on her website (www.melindaschwakhofer.com) and her blog: (melindaschwakhofer.wordpress.com). Bonnie McCaffery has also done a VidCast with Melinda (www.bonniemccaffery.com) that is very interesting.

This morning, Melinda showed me how to make a vessel from Angelina fibers. Angelina is fluffy stuff like fairy hair, and light makes it glow with irridescence. You pull it apart loosely, place it on a piece of parchment paper, cover it with more parchment, and iron it. It becomes stiff and melds together. To create this vessel, we made a sheet from different colors of Angelina fibers, and then molded it around a glass bottle and ironed it again. A wire aperature inside the fibers provides some support, and a way to embellish the vessel with beads.